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Electronic provocateurs LORDS OF ACID return to the stage on April 25 with their headline U.S. run, the Cheeky Freaky Tour. The tour marks a bold new chapter for the iconic act—one that honors their legacy while delivering a fully realized, uncompromising live experience rooted in the band’s unmistakable aesthetic and provocative spirit. Spanning 29 cities across the United States, the Cheeky Freaky Tour is a high-voltage, multi-artist spectacle featuring both headline club dates and major festival appearances, including Sick New World (April 25, Las Vegas) and Ritual Noize Fest (May 2, Denver). Each night is designed as an immersive, visceral experience—intense, confrontational, and unmistakably LORDS OF ACID. “For the first time in eight years, there is truly new material,” says Praga Khan, founder and creative force behind LORDS OF ACID. “A new album is coming, and the ‘Cheeky Freaky Tour’ ushers in a new era for the band, with respect for the past, but with a clear focus on the future.” The “Cheeky Freaky Tour” is not a nostalgia tour. The tour reaffirms everything LORDS OF ACID have stood for over decades: a fearless, idiosyncratic approach to electronic music, a strong and unapologetic identity, and a live show that confronts, seduces, and surprises. Led by the current Acid Queen Carla Harvey, LORDS OF ACID deliver a set in which iconic tracks such as “Pussy,” “I Sit on Acid,” and “Crablouse” seamlessly merge with new material. The show focuses on tension, dynamics, and presence, without distancing itself from the band’s roots. The tour—a blend of pounding electronic beats, glam chaos, club culture, and pure attitude—is supported by a carefully curated line-up, each act contributing to the depth of the evening in its own way: • Dead On A Sunday brings raw, modern gothic energy. • Princess Superstar is known for sharp lyrics, and a distinctive, club ready swagger. • Tony and the Kiki add alternative, fashion-forward pop flair. • MZ NEON opens the night with pulsating, underground-inspired electronic sounds. Audiences will also experience the first live introduction to material from the upcoming LORDS OF ACID album, which features appearances from Princess Superstar and Tony and the Kiki. Known for decades of boundary-pushing sound and performance, LORDS OF ACID continue to redefine what a live electronic show can be: loud, visual, playful, and fearless. The “Cheeky Freaky Tour” dates are as follows: 4/25 - LAS VEGAS, NV - SICK NEW WORLD ➕ 4/26 - FONTANA, CA - STAGE RED 🔸 4/29 - GRAND JUNCTION, CO - MESA THEATER 🔸 4/30 - ALBUQUERQUE, NM - SUNSHINE THEATER 🔸 5/01 - COLORADO SPRINGS, CO - BLACK SHEEP 🔸 5/02 - DENVER, CO - RITUAL NOIZE FEST ➕ 5/04 - KANSAS CITY, KS - WAREHOUSE 5/05 - MINNEAPOLIS, MN - VARSITY THEATER 5/06 - CHICAGO, IL - BOTTOM LOUNGE 5/07 - DETROIT, MI - MAGIC STICK 5/08 - PITTSBURGH, PA - PRESERVING UNDERGROUND 5/09 - WASHINGTON, DC - UNION 5/11 - CLEVELAND, OH - MERCURY 5/12 - NYC - RACKET 5/14 - ATLANTA, GA - MASQUERADE 5/15 - ORLANDO, FL - THE ABBEY 5/16 - FT LAUDERDALE, FL - CULTURE ROOM 5/17 - TAMPA, FL - ORPHEUM 5/19 - FT WALTON BEACH - DOWNTOWN MUSIC HALL 5/21 - HOUSTON, TX - SCOUT BAR 5/22 - DALLAS, TX - TREES 5/23 - AUSTIN, TX - COME AND TAKE IT LIVE 5/24 - SAN ANTONIO, TX - PAPER TIGER 5/26 - TUCSON, AZ - 191 TOOLE 5/27 - PHOENIX, AZ - NILE 5/28 - LAS VEGAS, NV - SWANDIVE 5/29 - SAN DIEGO, CA - MUSIC BOX 5/30 - LOS ANGELES, CA - ECHOPLEX 5/31 - SAN JOSE, CA - THE RITZ ➕ LOA ONLY 🔸 NO DOAS 
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The alarms are ringing, the amps are screaming, and PRISON CITY BRIGADE are kicking the doors off complacency with their blistering new punk anthem, “Do You Hear The People Scream.” Fast, furious, and unapologetically loud, the new track is a battle cry for the unheard and a soundtrack for the fed up. Built on breakneck rhythms, razor-wire guitars, and gang-shout choruses meant to be yelled back from the pit, “Do You Hear The People Scream” captures the raw nerve of modern unrest and channels it into pure punk fury. This is not background music — it’s confrontation set to distortion. ABOUT THE SONG: This track kicks the door down and turns into a full-on rallying cry. “Do You Hear the People Scream?” surges with raw energy—loud, defiant, and impossible to ignore. Every chord feels clenched-fist urgent, built for packed rooms and screaming amps. It doesn’t ask you to listen, it dares you not to shout along. Loud, unapologetic, and electric, this song feels like the start of something bigger. Consider this a call to action as PRISON CITY BRIGADE moves into their thirteenth year and evolves once again. PRISON CITY BRIGADE have carved their reputation on urgency and authenticity — no gloss, no gimmicks, no compromise. Their sound blends street-level punk grit with hardcore energy and chant-ready hooks, delivering songs that hit like headlines and linger like scars. The new single pushes that identity even further, pairing relentless drive with a message that demands attention. Lyrically, the track taps into social pressure, public frustration, and collective voice — turning tension into momentum and noise into unity. It’s the sound of frustration refusing to stay quiet and a reminder that volume is power when truth is behind it. QUOTE ABOUT THE SONG: “We’ve done our best over the years to avoid being “too political”, but subtly it’s always been there in different forms. This country and world has come to a point where Ratchet was pissed and it couldn’t be ignored anymore.” With this release, PRISON CITY BRIGADE prove once again that punk is not nostalgia — it’s now. It’s loud. And it’s not asking permission. “Do You Hear The People Scream” is available now on all major streaming platforms.  American psychedelic groove metal upstarts EverFelt are preparing to unleash their most immersive statement yet with the release of their new album, Stirring to Wake, which was released on December 15, 2025. Thick with hypnotic riffs, swirling atmospheres, and a dark melodic pull, the album channels the spirit of rock’s ancestors while carving a bold, modern path forward. Drawing influence from the brooding weight of Tool, the haunting harmonies of Alice In Chains, the doom-laced swagger of Black Sabbath, and the mind-expanding mystique of The Doors, EverFelt deliver a sound that feels both familiar and dangerously fresh. Stirring to Wake doesn’t simply nod to these influences—it absorbs them, reshapes them, and pushes them into deeper, heavier territory. Formed in the summer of 2022, EverFelt is driven by the haunting vocals and introspective lyricism of Adam Steglich, the expressive and textured guitar work of Corey Robinson, the powerful low-end foundation of Ryan Moore on bass, and the dynamic pulse and color of Danny Furlong on percussion. While their roots span everything from Audioslave and Pink Floyd to Slayer, the band’s identity stands firmly on its own—an intoxicating mix of psychedelic textures, groove-driven heaviness, and melodies that linger long after the final note fades. With Stirring to Wake, EverFelt deepen their commitment to music that resonates beyond the surface. These are songs meant to sink in slowly, blur the edges, and stay with you. It’s an album built not just to be heard, but to be felt—music that crawls under the skin and refuses to let go. “Music is the cornerstone of our existence,” the band shares. “With Stirring to Wake, we wanted to capture the haze, the heaviness, and the emotion that lives at the core of who we are—and leave a mark on anyone willing to take the journey with us.” The album was engineered by Shelby Preklas of Loud and Clear Studio, who helped bring clarity, weight, and atmosphere to EverFelt’s evolving sonic vision, striking a balance between raw power and expansive depth. EverFelt are ready to rise, ready to shake the dust off the underground, and ready to pull listeners fully into the world they’ve been building since day one. Stirring to Wake is not just the next chapter—it’s the moment the band fully comes alive. Album: Stirring to Wake Artist: EverFelt Release Date: December 15, 2025 Genre: Psychedelic Groove Metal For fans of heavy music with depth, darkness, and soul—this is a trip worth taking.  Hard-hitting rock outfit CHEMICAL EMPIRE returns with a thunderous new single. “This Isn’t Gonna End This War,” is fast, heavy, and unrelenting, built on chaotic energy that mirrors the volatility of a toxic relationship. The momentum never fully lets up, creating a constant sense of pressure and escalation as the conflict intensifies. The bridge and solo serve as a decisive breaking point, delivering a moment of total impact that feels irreversible. Afterward, the song briefly pulls back into a controlled, crushing outro, where the chaos settles into acceptance rather than resolution. The conflict may never truly end, but the decision to stop fighting becomes final. Lyrically, the track captures the realization that moving on is not about winning or closure, but survival. It reflects the moment when walking away becomes the only way forward. “I was working on music when my girlfriend came into the room and completely set me off. As soon as she walked out, the song basically wrote itself. All that tension and frustration went straight into the track.” - Matt Smith Known for blending modern hard rock aggression with emotionally charged songwriting, CHEMICAL EMPIRE continues to sharpen it's sound while refusing to dilute the message. “This Isn’t Gonna End This War” delivers a relentless sonic punch, pairing stadium-sized hooks with an underground edge that speaks directly to fans who crave authenticity and intensity. BAND BIO: CHEMICAL EMPIRE is an alternative metal project created by Matt Smith, built around fast, heavy music and emotionally driven songwriting. The project explores the darker realities of life, drawing from real experiences with conflict, isolation, and personal collapse. Blending relentless aggression with controlled dynamics, CHEMICAL EMPIRE'S sound is intense and purposeful, balancing chaos with clarity. Lyrically, the music confronts toxic cycles, fractured relationships, and the realization that survival sometimes means moving forward rather than fighting back. Rooted in honesty and emotional weight, CHEMICAL EMPIRE delivers heavy music that resonates with listeners who have lived through their own battles. The release marks another bold step forward for the band, reinforcing their reputation as a rising force in the rock scene—unapologetic, unfiltered, and unwilling to back down. “This Isn’t Gonna End This War” is available now on all major streaming platforms.  A raw confession wrapped in distortion, grit, and modern hard rock fury, Blackjacket is back—and they’re not pulling punches. Blackjacket said about "Exit Letter": "About 6 years ago, I received a call telling me that a very close friend of mine took his own life. It was confusing and heartbreaking. I was subsequently made aware that he left a note. ‘Exit Letter” is my attempt to understand the emotions he felt leading up to that final moment. The song was co-written by Doc Coyle (God Forbid, Snot, Bad Wolves) and Eddie Wohl (Anthrax, Fuel, ill Nino, Smile Empty Soul)." - Luca With their blistering new single “Exit Letter,” the band delivers a visceral, no-filter gut punch that captures the sound of letting go when there’s nothing left to save. Equal parts catharsis and controlled chaos, “Exit Letter” is Blackjacket at their most honest, most urgent, and most explosive. Built on crushing riffs, emotionally charged vocals, and a hook that lingers long after the final note, “Exit Letter” reads like a final confession scrawled in distortion. It’s the sound of closure colliding with confrontation—a song for anyone who’s ever had to walk away without answers, slam the door without regret, or burn the bridge just to survive. BLACKJACKET BIO: Blackjacket is a group of seasoned musicians from the Los Angeles music scene. After missed opportunities to create together, the stars aligned and Blackjacket was born. Timing is everything and the time is now!  HORROR SCENE is back—and they’re coming straight for the pulse. The band unleashes their latest single, “Yeah You,” is a relentless, high energy track that blends aggression, attitude, and hooks that hit like a gut punch. Fueled by dark intensity and raw emotion, the song captures that moment when you stop explaining yourself and let the music do the damage. Produced by Dan Malsch, "Yeah You" delivers crushing power, sharp precision, and a sound that refuses to be ignored.” "Yeah You’ is a middle finger wrapped in melody loud, unapologetic, and aimed straight at anyone who ever doubted us.” - HORROR SCENE Fueled by driving riffs, pounding rhythms, and a vocal delivery that balances menace with undeniable charisma, “Yeah You” is confrontational in the best way possible. It’s a song that doesn’t hide in metaphor—it locks eyes with the listener and calls them out. Loud. Direct. Unfiltered. Lyrically, “Yeah You” thrives on confrontation and confidence, capturing that moment where frustration turns into fire and silence turns into action. HORROR SCENE channels that raw, electric tension into an anthem built for packed clubs, midnight drives, and anyone who’s ever felt underestimated or overlooked. Sonically, the band sharpens their edge, blending gritty industrial textures with infectious modern rock energy. The result is a track that feels both dangerous and accessible—dark enough to haunt, catchy enough to stay stuck in your head long after the final chorus fades. With “Yeah You,” HORROR SCENE proves they’re not here to play it safe. They’re here to make noise, shake rooms, and leave a mark. This single signals a band fully locked into their identity—confident, confrontational, and unafraid to push forward at full volume. This is HORROR SCENE at their most focused and ferocious. “Yeah You” is available now on all major streaming platforms. Turn it up. Let it hit. And don’t look away--HORROR SCENE talking to you. LISTEN ON: APPLE MUSIC SPOTIFY  SISTER KILL CYCLE is back—and this time, they’re staring straight into the storm as they take the iconic Creedence Clearwater Revival classic song and is reborn as a crushing anthem for uncertain times. The industrial rock provocateurs have released a ferocious new cover of “Bad Moon Rising,” transforming the legendary CCR anthem into a menacing, modern-day prophecy drenched in distortion, grit, and raw intensity. Where the original warned of trouble on the horizon, SISTER KILL CYCLE turns that warning into a full-scale sonic uprising. From the first pulse to the final note, “Bad Moon Rising” is reimagined through the band’s signature blend of industrial aggression, dark atmospheres, and unrelenting rhythm. Grinding guitars collide with pounding electronics, while the vocals deliver the song’s ominous message with a snarling urgency that feels eerily relevant in today’s fractured world. SISTER KILL CYCLE has long been known for pushing boundaries and refusing to play it safe, and this release is no exception. By taking a timeless rock classic and injecting it with industrial firepower, the band bridges generations—connecting the paranoia and unrest of the past with the volatile energy of now. Perfect for fans of hard-hitting industrial rock, dark alternative, and fearless reinterpretations, “Bad Moon Rising” stands as both a tribute and a warning: the moon is rising, the tension is building, and SISTER KILL CYCLE is here to soundtrack the fallout.  Rising rock juggernaut SATURNS DOWNFALL launches into an entirely new stratosphere with the release of their electrifying new single, “Chasing Gravity,” a high-voltage collision of intensity, atmosphere, and raw alt-metal power. The track marks the beginning of a bold new chapter for the band as they sharpen their sonic identity and push their artistic boundaries further than ever before. With “Chasing Gravity,” SATURNS DOWNFALL fuses soaring vocals, relentless grooves, and cosmic-scale production into a song that feels both weightless and crushing at the same time. The result: an undeniable anthem built for massive stages, late-night drives, and fans who crave music that hits on every emotional frequency. About “Chasing Gravity” Brady Hearn - “Chasing Gravity’ came from one of the most honest places we’ve ever written from. Every beat and every lyric carries the weight of what we’ve lived through. It’s raw, it’s emotional, and it represents exactly who we are at our core.” Colby Bennett - “The song is a look inside addiction’s grip — the highs, the lows, and the fight to rise above the force that keeps pulling you back down.”  NEW MUSIC RELEASE: ILLUSIONS OF GRANDEUR SUMMON THE NIGHT WITH ELECTRIFYING SINGLE “MIDNIGHT"12/21/2025 When the clock strikes twelve, the world changes — and so does the sound of modern rock. Rising rock force Illusions of Grandeur steps into the shadows with their explosive new single, “Midnight”, a cinematic, pulse-pounding anthem that blurs the line between reality, illusion, and revelation. Fueled by towering guitars, a thunderous rhythm section, and vocals that rise from a whisper to a storm, “Midnight” captures the moment where fear and freedom collide. It is a song about reckoning — with your past, your demons, your dreams — and the dangerous power that comes alive when nothing is left to hide. Released in 2023, "Midnight" is getting new life with an official release. LISTEN ON SPOTIFY ITUNES BANDCAMP  “Black and Blue” was born from two sides of my life that most people never imagine existing together: surviving domestic violence and responding to it as a police officer. I’ve lived both. And for a long time, denial convinced me I could “help” someone become the person I believed they could be. Looking back, that belief was pure delusion. While my heart was breaking, it was held together by hope—hope that acted like a chain, wrapped around old scars I thought had healed. Like many survivors, I learned that with every bright day came a storm. “Black and Blue” is my story as someone who didn’t yet understand narcissistic abuse, but paid the price of learning it firsthand. This experience taught me that growth has no age limit and shame has no place in survival. In the first verse, I sing about using up “nine lives” like a cat—yet every time, I stood back up. Now I use my voice to reach the person who might be standing where I once stood. If you see a red flag: run. It’s not a parade. Abuse doesn’t get better. You cannot love someone into changing. Narcissists project; they don’t evolve. “Blue lights, white lies” refers to the night I finally opened the door for the police. That moment ended my relationship. He wanted me to lie—“get the story right”—but bruises don’t lie. Like my song “Warriors,” this track is meant to empower. Domestic violence doesn’t discriminate—age, gender, background, none of it protects you. And as a former cop, even a professional problem-solver, I learned that some problems can’t be fixed. They must be walked away from. I didn’t stay because of low self-esteem. Mine was solid. I stayed because I thought love could save someone. But only God has that power. I turned a bad experience into something meaningful—my new single, “Black and Blue.” I hope it helps someone recognize the truth sooner than I did."  |
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